거슈윈 극장

Gershwin Theatre
거슈윈 극장
유리스 극장
Gershwin Theatre NYC.jpg
주소.웨스트 51번가 222번지
맨해튼, 뉴욕시
미국
좌표40°45°45°N 73°59′06″w/40.76250°N 73.98500°W/ 40.76250, -73.98500좌표: 40°45°45°N 73°59 0 06 w 40 / 40 . 76250 ° N 73 . 98500 ° W / 40 . 76250 、 - 73 . 98500
주인파라마운트 그룹
교환입니다.네델란더 조직
유형브로드웨이 극장
용량.1,933
생산.못된
건설
열린1972년 11월 28일
건축가.랄프 알스왕
웹 사이트
[1]

거슈윈 극장(원래는 Uris Theatre)은 뉴욕 맨해튼 미드타운 인근 파라마운트 플라자 사무실 건물 2층에 있는 웨스트 51번가 222번지의 브로드웨이 극장입니다.1972년에 문을 연 이곳은 네더랜더 기구에 의해 운영되며 브로드웨이 뮤지컬을 여러 편 쓴 조지와 아이라 거슈윈 형제의 이름을 따서 지어졌다.거슈윈은 두 층에 걸쳐 1,933석의 좌석을 가진 브로드웨이에서 가장 큰 극장이다.수년간 뮤지컬, 무용단, 콘서트를 개최해 왔다.

거쉰은 Ralph Alswang에 의해 디자인되었다.1967년 특수 극장 지구 개정에 따라 지어진 최초의 극장 중 하나였다.이 극장의 주요 출입구는 50번가와 51번가 사이에 있는 중간 블록 통로에서 나옵니다.1층에서 2층 로비와 로툰다로 이어지는 에스컬레이터가 있습니다.로비와 로툰다에는 500명이 넘는 유명 연극인들의 이름이 새겨진 아메리칸 씨어터 명예의 전당이 배치돼 있다.약 1300석 규모의 거쉰 오케스트라 단원은 600석 규모의 메자닌 단보다 2배 이상 크다.

Uris Buildings Corporation은 1960년대에 Uris Building(현재의 Paramount Plaza) 내에 몇 층의 추가 사무실 공간을 대가로 극장을 지었습니다.1972년 11월 28일 뮤지컬 비아 갈락티카 공연으로 개봉했다.몇 번의 실패 이후, 그 극장은 1970년대에 콘서트와 댄스 스페셜을 위해 임대되었다.뮤지컬 The King and I와 Sweeney Todd는 10년 말에 비교적 긴 상영을 했다.이 극장은 1983년 제37회 토니상 시상식에서 거슈윈으로 개명되었는데, 토니상은 이 곳에서 개최된 6개의 시상식 중 처음이었다.1980년대에 이 극장은 콘서트, 첫 번째 연속극, 그리고 Singin' in the Rain과 Starlight Express와 같은 뮤지컬을 주최했다.1990년대 초에도 공연과 쇼보트 등 뮤지컬을 계속 개최해 1993년 보수공사를 했다.거쉰은 2003년부터 뮤지컬 '위키드'의 본거지였다.

묘사

거슈윈 극장은 뉴욕 맨해튼 [1]미드타운의 타임스퀘어 북쪽에 있는 1633 브로드웨이라고도 알려진 파라마운트 플라자 2층에 있다.1972년 Uris [2][3]Theatre로 문을 연 이 극장은 랄프 알스왕, 파라마운트 [4]플라자는 에머리 로스 앤 선스가 설계했다.파라마운트 플라자에 있는 두 개의 극장 중 하나이며, 다른 하나는 건물 [5][6]지하에 있는 스퀘어 시어터의 서클입니다.Gershwin, Circle in the Square, Minskoff 및 American Place 극장은 모두 1967년 특별 극장 구역 개정안에 따라 각각의 개발자들에게 추가 바닥 [7]면적을 주는 방법으로 건설되었습니다.

거슈윈은 알스왕이 아르누보 [2][8]스타일로 묘사한 것으로 장식되었다.그 극장은 50,000 평방 피트(4,6002 m)의 면적에 주요 공공 [9]공간 전체에 청동 벨루어 장식이 되어 있다.원래 흰색과 금색으로 장식된 거쉰은 [10]1993년에 파란색과 흰색으로 다시 장식되었다.그 극장은 네델란더 [11][12]기구에 의해 운영된다.

로비 및 명예의 전당

파라마운트 플라자 밑에는 50번가와 51번가를 잇는 산책로가 있어 거슈윈과 서클 인 더 스퀘어 [7][13]극장에 입장할 수 있습니다.50번가와 51번가 양쪽에 [9]극장 입구용 마크가 있다.매표소는 지상 [14]레벨에 있다.에스컬레이터는 1층에서 거슈윈 [2][15][14]극장으로 이어진다.1860년에서 1930년 사이에 활동한 90명의 유명인들의 이름이 [15]에스컬레이터를 따라 청동 금색 글씨로 새겨져 있다.

2층에는 미국극장 명예의 전당이 있는데, 이 전당에 유명한 연극인들의 이름이 금색 [15][16]글씨로 새겨져 있다.적격 입상자들은 최소 25년 동안 미국 연극계에서 경력을 쌓았고 브로드웨이에서 최소 5개의 주요 제작 [17][18]크레딧을 받았습니다.로비는 오케스트라 좌석 뒤에 흰색 벽이 있고 [9]너비는 220피트(67m)이다.명예의 전당의 이름은 로비의 [16]4층 높이의 벽을 가로질러 뻗어 있다.이 극장에는 또한 두 개의 로툰다가 있는데, 그 중 하나는 원래 [9][14]뉴욕시 박물관의 음악과 극장 컬렉션을 포함하고 있었다.그 홀의 이름은 로툰다까지 [14][19]뻗어 있다.

객석

플레이빌은 극장이 1,926석의 [11]좌석을 가지고 있는 반면 브로드웨이 리그는 1,933석의 [12][20]좌석을 가지고 있다고 말한다.거쉰의 좌석은 약 1,300석의 오케스트라와 약 600석의 [2][21][a]작은 메자닌의 두 층에 걸쳐 있다.이는 대부분의 사람들이 오케스트라 좌석을 [2][8]원한다는 알 광의 관찰에 근거했다.거슈윈의 좌석 간격은 36인치(910mm)로, 각 줄의 간격이 32~33인치(810~840mm)[7][22]에 불과했던 오래된 극장과는 비교된다.발코니는 14줄로 [22]되어 있다.전통적인 브로드웨이 하우스처럼(그리고 현대의 민스코프 극장과는 달리) 중앙과 측면에 [22][21]통로가 있었다.오케스트라 층은 지상 [11][23]층에서 엘리베이터를 통해 접근할 수 있습니다.

메자닌 레벨은 박스 시트 대신 사이드 월에 돌출부가 있습니다.프로세늄 아치는 필요한 [2]경우 제거할 수 있는 라이트 막대로 설계되었습니다.벽면 패널에는 스피커를 [22]장착하기 위해 분리할 수 있는 패널도 있습니다.무대는 또한 분해하거나 [2][22]앞으로 확장할 수 있는 유연한 레이아웃으로 설계되었다.무대가 앞으로 확장되면 기본적으로 오케스트라 [21][22]피트까지 덮는 돌출 무대 역할을 했다.65피트 폭(20m)의 조절 가능한 프로세니엄 아치와 80피트 폭(24m)의 무대를 갖춘 이 무대는 브로드웨이에서 가장 큰 무대 중 하나이며,[24] 매우 큰 뮤지컬 제작에 이상적입니다.

뉴욕의 오래된 극장들과는 달리, 민스코프와 거슈윈 극장은 덜 엄격한 건축 법규를 적용받았다.예를 들어, 거슈윈은 도시가 두 극장에 [22]스프링클러 시스템을 설치하는 것을 허용했기 때문에 방화 커튼 없이 설계되었다.이 극장은 또한 컴퓨터 연결 [2][8][25]시스템인 히드라 플로트를 사용했다.이것은 완전히 자동화된 미국 [21][25]최초의 상업 극장이 되었다.무대 뒤편에는 에어컨, 그린룸, 개인 [26]욕실이 갖춰진 8개의 대형 공연용 드레스룸이 있었다.

역사

건설

1967년 9월, Uris Buildings Corporation은 50번가와 51번가 사이의 브로드웨이 캐피톨 극장 부지를 100년간 임대했습니다.Uris는 그 [27]자리에 오피스 타워와 브로드웨이 극장을 지을 것이라고 발표했다.브로드웨이 극장은 1,500에서 2,000석의 [27][28]좌석이 있을 것이다.1967년 10월, 뉴욕시 계획위원회(CPC)는 [29][30][31]극장을 포함한 오피스 빌딩 개발자들에게 구역 분할 보너스를 주는 특별 극장 구역 분할 수정안을 제안했다.제안된 법안은 1930년 [34][35][b]마크 헬링거 극장이 완공된 이후 처음으로 완전히 새로운 브로드웨이 극장이 될 원 애스터 플라자와 유리스 [32][33]빌딩의 극장을 직접 허용하게 된다.CPC는 그 [32][37]해 11월에 극장 개정안을 승인했고 뉴욕시 예산위원회는 다음 달에 [38][39]그 제안을 최종 승인했다.두 [40][41]번째 극장은 1968년 2월에 발표되었고, 후에 광장의 원이 되었다.

1968년 4월, CPC는 아스터와 유리스 극장의 [42]허가 여부를 결정하기 위한 공청회를 예정했다.브로드웨이 극장의 가장 큰 운영자인 슈버트 기구가 유일하게 반대 의견을 낸 [43]당사자 6명이 찬성 증언을 했다.CPC는 슈베르츠의 [35][44]반대에도 불구하고 추정위원회와 마찬가지로 [45]극장을 승인했다.그 해 9월, Uris Buildings Corporation은 James M과 잠정적인 거래를 했다. 네더랜더와 제라드 외스트리허는 이 건물의 [4][46]두 극장 중 더 큰 극장을 운영하게 된다.더 [47]큰 공연장은 1971년 Uris Buildings Corporation의 대표인 Percy Uris의 이름을 따서 개명되었다.뉴욕데일리뉴스는 이어 유리스 가족이 극장 이름을 직접 짓기로 한 것에 대해 "연극계에서 조롱거리가 됐다"[48]고 전했다.

한편,[49] 시민단체 브로드웨이 협회는 북쪽 몇 블록의 중앙섬 브로드웨이에 극장 명예의 전당을 건립할 것을 제안했다.그리고 나서 얼 블랙웰은 네덜란드인들에게 유리스 [2]극장의 극장 명예의 전당을 포함시킬 것을 제안했다.1972년 3월 건물과 극장이 [15][50]완공됨에 따라 이 홀의 계획이 발표되었다.첫 번째 이름은 극장이 [19]문을 열기 직전인 10월에 헌액되었다.

1970년대

Uris Theatre는 1972년 [9][51]11월 19일에 설립되었으며, 11월 28일에 라울 [52][53]줄리아가 주연한 뮤지컬 Via Galactica의 첫 공연을 주최했습니다.이 [57]극장은 완공 당시 [54]1,840석,[55][56] 1,870석,[2][3] 1,900석 또는 1,940석을 가지고 있었던 것으로 알려졌다.알광은 극장의 총 비용을 1,250만 [2][57]달러로 추산했다.최고 티켓 가격이 12.75달러(일반 최고 [54][57]가격인 15달러보다 낮음)였음에도 불구하고, 그것은 7번의 공연으로[3][58] 폭락했고 100만 [59]달러의 손실을 본 첫 브로드웨이 쇼였다.다음 공연은 싸이 콜맨과 도로시 필즈의 뮤지컬 시소로, 1973년 3월에[60][61] 개막하여 그 해 8월에 헬링거로 옮겨져 최종적으로 296회 [62]공연을 했다.지그문트 롬베르그 오페라 사막의 노래의 부활은 1973년 9월[63][64] 우리 극장에서 초연됐지만 15회 [65][66]공연만 마치고 막을 내렸다.그 뒤를 이어 11월에는 103회 [69]공연된 러너와 로웨 뮤지컬 기지가 [67][68]공연을 가졌다.대부분의 경우,[70] 우리 가족은 처음 두 시즌 동안 대부분 어두웠기 때문에 돈을 잃었습니다.우리 가족은 또한 사람들이 연극 명예의 전당에 입성했을 때 연례 행사를 주최하기도 했다.자금 부족으로 인해 1973년과 [71]1979년 사이에는 새로운 인덕션이 없었다.

1974년에는 [3][72]합법적인 새로운 쇼가 없었다.그 해 5월 가수 새미 데이비스 주니어가 큰 수익을 올린 콘서트를 한 후 제임스 M.네더랜더는 음향적인 특성을 이유로 올해 남은 기간 동안 이 극장의 콘서트를 예약하기로 결정했다.네더랜더는 앞으로 [70][73]수요가 있다면 뮤지컬로도 사용할 수 있을 것이라고 말했다.뉴욕타임스의 한 비평가는 막 압류된 유리스 빌딩이 "브로드웨이 [74]재활성화의 리더"가 아니라 "죽음의 기념물"일 수도 있다고 말했다.1974년 뮤지션들의 출연에는 Mott the Hoople, 엔리코 마키아스와 그의 La Fete Orientale Co.가 포함되어 있다.Andy Williams with Michel Legrand, Anthony Newley with Henry Mancini, Johnny Mathis and the Miracles,5차원, 그리고 라파엘.[72]1975년 [75]3월 할렘의 댄스 시어터가 공연되었고, 그 [76]달에는 17회 그래미 어워드가 유리스에서 시상되었습니다.프랭크 시나트라, 엘라 피츠제럴드, 그리고 카운트 베이시는 그 해 [77][78]9월에 제한된 콘서트 출연을 했고, 휴스턴 그랜드 오페라 협회는 다음 [79][80]달에 오페라 트리모니샤를 선보였다.이어 발레 무용수 마르고 폰테인, 루돌프 누레예프, 싱어송라이터 폴 앙카,[72] 아메리칸 발레 시어터의 공연이 이어졌다.

할렘의 댄스 극장은 1976년 [81]3월에 극장으로 돌아왔다.도이 카르테 오페라단은 그 해 [82]5월 Uris에서 길버트와 설리번 오페라 3편을 상연했고, 그 다음 달에는 Al Green과 Ashford [83][84]& Simpson의 콘서트 출연이 이어졌다.그해 10월 휴스턴 그랜드 오페라는 뮤지컬 '포기와 베스'[85][86]를 선보였다.그 [72]극장은 1976년 12월에 빙 크로스비와 베리 마닐로가 출연하면서 콘서트를 주최하기 시작했다.할렘의 댄스 시어터는 재정적자 [87]때문에 1977년에 계획되었던 우리 가족에서의 시즌을 취소했다.대신 1977년 3월 발레 [88][89]공연을 위해 돌아온 누레예프, 같은 [90][91]달 베자르트 20세기 발레단이 공연했다.율 브라이너와 콘스턴스 타워가 출연한 뮤지컬 왕과 나는 1977년 5월[92][93] 개봉하여 719회 공연되며 극장 최장수 [94]공연작이 되었다.또 다른 오래 지속된 쇼는 스티븐 손드하임과 휴 휠러의 뮤지컬 스위니 토드와 앤젤라 랜스베리는 1979년 3월에[94][95] 개막하여 다음 [96]해에 걸쳐 755회 공연을 했다.

1980년대

1980년에 우리 가족은 주로 [97]발레단의 공연을 주최했다.이듬해 1월, 뉴욕 셰익스피어 축제는 1981년 [100]8월 민스코프로 이전한 길버트 & 설리번 감독의 펜잔스의 [98][99]해적 영화를 제작했다.그 직후 렉스 [97][101]해리슨과 함께 Lerner와 Loewe의 My Fair Lady가 124회 [102][103]공연으로 부활했다.그 해 11월, 뮤지컬 애니는 Uris로 [97][104]이적하여 2,377회의 [105][106]공연을 마치고 1년 넘게 공연하였다.다음으로,[97][107] 뉴리예프는 1983년 초 보스턴 발레단과 공연했고 휴스턴 그랜드 오페라는 그 해 [108][109]4월 제롬 컨과 오스카 해머스타인 2세의 뮤지컬 쇼보트를 선보였다.그 당시 토니상 프로듀서 알렉산더 H. 코헨은 제37회 토니상 시상식이 그곳에서 개최될 것이며 뮤지컬 작사 형제인 아이라와 조지 [110]거쉰의 이름을 따서 유리스로 개명할 것이라고 발표했다.1983년 6월 5일 기념식에서 극장은 다시 단장되었다.[111][112]Show Boat는 그[113][114] 직후 문을 닫았고 [115][116]7월에 랜스베리가 출연한 Mame이 뒤를 이었다.

거슈윈은 극장 이름이 바뀐 지 두 달이 [117]지난 1983년 8월 아이라 거슈윈이 사망한 후 추모식을 열었다.그 극장은 대형 뮤지컬의 연장 공연 예약에 대한 문제에 계속 직면했다.1984년 1월, 네더랜더는 다시 1년 [118]동안 공연장으로 사용할 것이라고 발표했다.이번에는 셜리 맥레인의 [119][120]공연을 주최했다.트윌라 타프, [121][122]루돌프 누레예프,[123][124] 글래디스 나이트 & 더 핍스와 카시프.[125][126]또한 1984년 [127]6월 제38회 토니상 시상식이 열렸다.로열 셰익스피어 컴퍼니는 1984년 [97][128]10월부터 10주 동안 레퍼토리에서 '무엇보다 많은 아도'와 '시라노 드 베르제라크'를 선보였다.이 극장은 이 연극들을 위해 음향적으로 개조되었다. 왜냐하면 이 극장이 스트레이트 [128]연극을 주최한 것은 이번이 처음이었기 때문이다.1985년 초 패티 라벨과[129][130] 스모키 [131][132]로빈슨의 콘서트 출연이 이어졌다.다음으로, 뮤지컬 'Singin' in the Rain'은 1985년 7월에[133][134] 초연되었고 이후 10개월 [135][136]동안 367회 공연되었다.

앤드류 로이드 웨버의 뮤지컬 스타라이트 익스프레스가 1986년 [137]중반에 극장을 위해 발표된 후, 극장은 기술적으로 복잡한 [138]세트를 수용하기 위해 개조되었다.스타라이트는 1987년 3월에[139][140] 개장하여 2년 [141]동안 상영하였으나, 비평가들의 [142]찬사에도 불구하고 막다른 골목에서 폐막하였다.그 후, 네덜란드인들은 거슈윈을 1989-1990년 시즌의 콘서트 홀로서 사용할 계획을 발표했다.당시 네덜란드 브로드웨이 극장 9곳 중 6곳이 어두웠고 새로운 [143]뮤지컬이 부족했다.이번에는 [144]딱 한 번의 라이브 공연이 있었는데,[145][146] 그것은 1989년 중반 베리 마닐로의 콘서트 세트였다.그 해 11월, 뮤지컬 코미디 '미트 미 인 세인트' 루이스는 253회 공연을 [148][149]하며 [147]개막했다.

1990년대

1990년 말 브로드웨이에서 공연 특집 벅스 버니가 잠시 모습을 드러낸 데 이어 뮤지컬 피들러 온 더 [152][153]루프가 부활했다.[150][151]모스크바 서커스에 의한 특별 출연은 1991년 [154][155]말 거슈윈에서 시작되었다.뮤지컬 그랜드 호텔은 1992년 [144][156]2월 거슈윈으로 이전하여 1,000회 이상의 공연을 [157][158]끝냈다.Gershwin은 1992년 [159]6월에 제46회 토니상을 개최했고, The Theater는 Windows for [160]Workgroups를 위해 10월에 100만 달러의 론칭 파티를 개최했습니다.1992년 [161][162]12월 Tommy Tune, 1993년 [163][164]4월 Raffi, 1993년 [165][166]6월 Yanni의 콘서트 출연이 그 뒤를 이었다.이 극장은 제47회 토니상을 [167]개최하기 전인 1993년 중반에[10] 보수되었다.

레르너와 로웨의 카멜로 재공연은 1993년[168][169] 6월에 시작되어 두 [170]달 동안 계속되었다.뮤지컬 '더 레드 슈즈'는 그 [171][172]해 12월에 개봉했지만 브로드웨이에서 가장 큰 실패작 중 하나로, 3일 만에 [173]8백만 달러의 손실을 입고 막을 내렸다.1990년대 중반에는 브로드웨이 대형 [174]주택에 대한 경쟁이 치열했다.The Red Shoes가 문을 닫은 지 일주일도 채 지나지 않아 제작사 Livent는 극장을 [175]위한 쇼 보트의 재연을 예약했다.이 극장은 [176]1994년에 다시 한번 제48회 토니상을 개최하였다.시상식은 이후 라디오 시티 뮤직 홀(Radio City Music Hall)로 옮겨졌는데, 그 극장은 훨씬 더 크고(일반 대중이 참석할 수 있게 되어), 브로드웨이 공연을 [177]중단할 필요가 없었기 때문입니다.쇼보트는 1994년 10월[178][179] 개장해 2년간 [180]949회 공연을 했다.

그 후 1997년 1월 존 그레이는 그의 책 "남자는 화성에서, 여자는 [181][182]금성에서 왔다"의 독백을 선보였다.리벤트의 볼테르의 캔디드 재공연은 그해 [183][184]4월 개봉해 103회 공연을 [185][186]가졌다.라운드어바웃 극단은 그 [187]후 가장 인기 있는 작품인 뮤지컬 1776을 거슈윈으로 옮겼고, 그곳에서 1998년 [188][189]6월까지 공연되었다.뉴욕 셰익스피어 페스티벌의 뮤지컬 온 더 타운은 1998년 [190][191]11월 거슈윈에서 개막했지만 수익성이 떨어지고 65회 [192][193]공연으로 막을 내렸다.거슈윈은 라디오 시티 뮤직 홀이 [195][196]리노베이션을 진행 중이었던 1999년 [194]제53회 토니상을 개최하기도 했다.또한 1999년에는 뮤지컬[197] 피터팬과 탱고 아르젠티노가 [198][199]공연되었다.

2000년대 이후

브로드웨이에서 열리는 댄스 레뷰 리버댄스는 2000년 [200][201]3월 거슈윈에서 개막해 이듬해 [202]8월까지 605회 공연을 했다.리버댄스가 문을 닫은 후 로저스와 [203]해머스타인 뮤지컬 오클라호마가 거슈윈에 예약되었다.게다가 [204][205]린다 에더는 2001년 말에 극장에서 공연을 했다.오클라호마!는 2002년 3월에[206][207] 개봉하여 다음 [208][209]해 동안 388회 공연을 했다.오클라호마의 경우, 오케스트라 층의 처음 다섯 줄의 좌석이 임시 추진 [210]무대용 자리를 마련하기 위해.2002년 6월, 그 극장은 오클라호마의 작곡가 중 한 명인 리차드 로저스의 100번째 생일을 축하하는 파티를 열었다.[211]

거슈윈 극장의 다음 작품은 2003년 [212][213]10월 초연된 스티븐 슈워츠의 뮤지컬 '위키드'였다.위키드의 제작자 중 한 명인 데이비드 스톤은 처음에는 거슈윈의 [214]규모뿐만 아니라 단기간 작품이라는 평판 때문에 예약을 꺼렸다.처음의 부정적인 평가에도 불구하고, 위키드는 너무 유명해져서 거슈윈에서 [215]무기한 계속되었다.그 극장의 넓은 수용 인원 또한 뮤지컬의 [214]인기에 적합한 것으로 밝혀졌다.2014년 미국 법무부와의 합의의 일환으로, 네덜란드인들은 거슈윈을 [216][217]포함한 9개의 브로드웨이 극장에서 장애인 접근을 개선하기로 합의했다.위키드는 COVID-19 대유행으로 [218]인해 2020년 3월 12일 극장이 문을 닫았을 때 여전히 상영 중이었다.2021년 9월 14일,[219][220] 위키드 공연으로 재개관했다.

주목할 만한 작품

유리스 극장

거슈윈 극장

흥행 기록

스타라이트 익스프레스가 1987년에 문을 열었을 때, 거슈윈 극장 및 브로드웨이 역사상 가장 높은 1주간의 수익을 올렸다.Starlight Express는 이 기록을 여러 [248]번 갈아치웠고,[142] 결국 1987년 마지막 주에 61만 7,022달러를 벌어들였다.Fiddler on the Roof는 1990년 마지막 주 동안 브로드웨이 공연 티켓 판매량 중 가장 많은 기록을 세웠다.1994년 10월 4일부터 9일까지 쇼보트는 842,636달러 상당의 티켓을 판매했다.이는 브로드웨이 공연 중 단주 티켓 판매량으로는 가장 높은 수익률을 기록했을 [249]뿐 아니라 두 번째로 높은 판매량이었다.

위키드는 거슈윈 극장에서 여러 [250][251]번 흥행 기록을 세웠다.2010년, 이 뮤지컬은 한 [214]주에 2백만 달러 이상의 수익을 올린 최초의 브로드웨이 쇼가 되었다.위키드는 뮤지컬 스파이더맨: 턴 오프 더 다크(Spider-Man: Turn Off the Dark)[252]가 1주일 동안 58달러를 더 벌어들인 2011년까지 브로드웨이 공연 중 가장 높은 1주일 총 수익 기록을 보유하고 있다.이 극장의 현재 기록은 [253]위드가 2018년 12월 30일에 끝나는 한 주 동안 9번의 공연 동안 3,411,819달러를 벌어들인 2018년에 수립되었다.

「 」를 참조해 주세요.

레퍼런스

메모들

  1. ^ 백 스테이지 잡지에 따르면 이 극장은 오케스트라에 1,296석, 메자닌에 [21]599석이 있다.그러나 알광은 오케스트라가 1280석,[2] 메자닌이 660석이라고 밝혔다.
  2. ^ Hellinger는 처음에 영화관이었고 1949년까지 브로드웨이 공연장이 되지 않았다.Lunt-Fontanne 극장과 Palace 극장은 그 후 영화에서 브로드웨이 극장으로 바뀌었지만, 두 극장 건물 모두 물리적으로 [34]Hellinger보다 오래되었다.브로드웨이 극장으로 지어진 마지막 공연장은 1928년에 [36]완공된 에델 배리모어 극장이었다.

인용문

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