사타 둠

바이

사타 둠
바이; 사타 둠
	요리 악기를 연주하는 드러머의 세부 사항, 아마도 Bhai Satta Doom, 시크 음악가들과 함께 Guru Hargobind 프레스코화에서.
개인적인
종교	시크교
로 알려진	조리 선수; 구루 그랑스 사히브의 기부자;
친척들.	발반드 라이 (형)

사타 둠(16세기 말에서 17세기 초)은 구루 그란스 ^[1]^[2]사히브에서 발견된 8절을 쓴 드러머이자 작가였습니다.

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그는 둠-미라시 ^[3]가문에서 무슬림으로 태어났습니다.그는 구루 ^[3]앙가드의 호언장담 기간 동안 시크교도들을 위해 음악을 연주하기 시작했습니다.그는 그의 형인 발반드 라이가 라바비(레베크 연주자)^[1]였을 때 드러머였습니다.그들은 시크구루스의 더르바(코트)^[4]에서 키르탄을 연주했습니다.어느 순간, 그와 그의 형제는 구루의 회사와 고용을 포기했지만, 고난에 직면한 후에 돌아왔고,^[5] 그곳에서 그들은 용서를 받았습니다.그리고 나서 그들은 아디 그랑스의 ^[5]일부를 형성하게 될 그들의 과거의 실수에 대한 참회를 위한 찬송가를 썼습니다.그가 그의 형 발반드와 공동 작곡한 작품들은 구루 그랑스 사히브의 966-968쪽에서 람칼리키 바이 발반트 타타 사테두마키라는 ^[6]^[5]제목으로 찾을 수 있습니다.

그의 찬송가에서, 그는 나악에서 앙가드까지의 구루시의 연속성을 강조했고, 후자를 나악의 ^[7]탁트(왕좌)에 앉힌 것으로 언급했습니다.그것은 시크교도들의 ^[4]첫 다섯 명의 귀재들을 더욱 칭찬합니다.

참고 항목

레퍼런스

^ ^a ^b Nayar, Kamala Elizabeth; Sandhu, Jaswinder Singh (2020). "Notes". The Sikh View on Happiness: Guru Arjan’s Sukhmani. Bloomsbury Publishing. p. 219. ISBN 9781350139893. Bhai Rai Balwand was a Muslim rebab musician and Satta was a Muslim drummer during the time of Guru Angad up to the time of Guru Arjan; they both sang gurbani-kirtan and composed a Ramkali var that was included in the Guru Granth Sahib (pp. 966-8).
^ Singh, Prithi Pal (2006). The History of Sikh Gurus. New Delhi: Lotus Press. pp. 170–171. ISBN 978-81-8382-075-2.
^ ^a ^b Singh, Harbans (2002). The Encyclopedia of Sikhism (4th ed.). Punjabi University, Patiala. pp. 269–70.
^ ^a ^b Kapūra, Prithīpāla Siṅgha; Singh, Dharam (2001). Perspectives on Sikhism: Papers Presented at the International Seminar on Sikhism: a Religion for the Third Millenium Held at Punjabi University, Patiala on 27-29 March 2000. Publication Bureau, Punjabi University. p. 117. ISBN 9788173807367.
^ ^a ^b ^c Fenech, Louis E.; McLeod, William H. (2014). Historical Dictionary of Sikhism. Historical Dictionaries of Religions, Philosophies, and Movements Series (3rd ed.). Lanham, Maryland: Rowman & Littlefield. p. 57. ISBN 978-1-4422-3601-1. BALVAND AND SATTA. Rai Balvand and Satta the Dum were two rabab players who, according to tradition, sang kirtan for Guru Angad. After some years they became increasingly insubordinate and left the Guru's service. When they lost popularity, they were humbled. To signal their contrition they wrote the first five stanzas of Tikke di Var, composing the remaining three stanzas in the time of Guru Arjan.
^ Chauhan, G. S. (2006). Bani of Bhagats (1st ed.). New Delhi: Hemkunt Publishers. pp. 137–39. ISBN 9788170103561.
^ Grewal, Jagtar Singh (2019). Guru Gobind Singh (1666–1708): Master of the White Hawk (1st ed.). New Delhi: Oxford University Press. ISBN 978-0-19-949494-1. Rai Balwand and Satta refer to Guru Angad being seated on the throne (takht) of Guru Nanak.

[:4-1] Nayar, Kamala Elizabeth; Sandhu, Jaswinder Singh (2020). "Notes". The Sikh View on Happiness: Guru Arjan’s Sukhmani. Bloomsbury Publishing. p. 219. ISBN 9781350139893. Bhai Rai Balwand was a Muslim rebab musician and Satta was a Muslim drummer during the time of Guru Angad up to the time of Guru Arjan; they both sang gurbani-kirtan and composed a Ramkali var that was included in the Guru Granth Sahib (pp. 966-8).

[2] Singh, Prithi Pal (2006). The History of Sikh Gurus. New Delhi: Lotus Press. pp. 170–171. ISBN 978-81-8382-075-2.

[:1-3] Singh, Harbans (2002). The Encyclopedia of Sikhism (4th ed.). Punjabi University, Patiala. pp. 269–70.

[:3-4] Kapūra, Prithīpāla Siṅgha; Singh, Dharam (2001). Perspectives on Sikhism: Papers Presented at the International Seminar on Sikhism: a Religion for the Third Millenium Held at Punjabi University, Patiala on 27-29 March 2000. Publication Bureau, Punjabi University. p. 117. ISBN 9788173807367.

[:02-5] Fenech, Louis E.; McLeod, William H. (2014). Historical Dictionary of Sikhism. Historical Dictionaries of Religions, Philosophies, and Movements Series (3rd ed.). Lanham, Maryland: Rowman & Littlefield. p. 57. ISBN 978-1-4422-3601-1. BALVAND AND SATTA. Rai Balvand and Satta the Dum were two rabab players who, according to tradition, sang kirtan for Guru Angad. After some years they became increasingly insubordinate and left the Guru's service. When they lost popularity, they were humbled. To signal their contrition they wrote the first five stanzas of Tikke di Var, composing the remaining three stanzas in the time of Guru Arjan.

[:2-6] Chauhan, G. S. (2006). Bani of Bhagats (1st ed.). New Delhi: Hemkunt Publishers. pp. 137–39. ISBN 9788170103561.

[7] Grewal, Jagtar Singh (2019). Guru Gobind Singh (1666–1708): Master of the White Hawk (1st ed.). New Delhi: Oxford University Press. ISBN 978-0-19-949494-1. Rai Balwand and Satta refer to Guru Angad being seated on the throne (takht) of Guru Nanak.

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