전음 스케일을 사용하는 곡 목록

List of pieces that use the whole-tone scale

이것은 전체 음계를 사용한 주목할 만한 음악 작품 목록입니다.

{ #(set-global-staff-size 14) \new PianoStaff << \new Staff << \relative c'' { \tempo Modéré 8 = 88 \clef treble \key c \major \time 2/4 r4^\markup { "(Dans un rythme sans rigueur et caressant.)" } <e gis>8--~(_\markup { \dynamic p \italic "très doux" } <e gis>32 <d fis> <c e> <bes d> <aes c>8..\< <gis' c>32 <fis bes>4)\> r4\! <e gis>8--~(_\markup { \dynamic p } <e gis>32\> <d fis> <c e> <bes d>\! <aes c>4~_\markup { \italic "più" \dynamic p } <aes c>16\> <fis bes> <e aes> <d fis>)\! } >> \new Staff << \relative c' { \clef bass \key c \major \time 2/4 R2 R R R } >> >> }
드뷔시 보이스의 전체 음계, 1 ~4
  • 히사이시 조
    • 피아노 이야기 II의 "레 아벤투리에"– The Wind of Life, 1996

「 」를 참조해 주세요.

레퍼런스

  1. ^ 안토콜레츠 1984년, 245년
  2. ^ 안토콜레츠 1984년, 263년
  3. ^ 안토콜레츠 1984, 88세
  4. ^ 안토콜레츠 1984년, 280년
  5. ^ 바르토크 1935, 414
  6. ^ 쿠퍼 1996, 70세
  7. ^ 1991년 74~75세
  8. ^ Gorrell 2002, 119.
  9. ^ Antokoletz 2004, 312.
  10. ^ Stuckenschmidt 1970, 109.
  11. ^ Leikin 2015, 128.
  12. ^ a b c d e Andrews 2001.
  13. ^ 데이비스 1985, 58-60
  14. ^ 선체 1915, 62
  15. ^ 선체 1915, 61
  16. ^ 선체 1915, 56
  17. ^ 솔즈만 1974, 203
  18. ^ Antokoletz 2004, 20.
  19. ^ 쇤베르크 1978, 393n1.
  20. ^ a b 선체 1915, 58
  21. ^ Aldrich와 Meckna 2001.
  22. ^ 우드사이드 1990, 68
  23. ^ Karan 2011.
  24. ^ 메이칸 1997, 55
  25. ^ Sigman 2011, 15.
  26. ^ 1981년 토드, 패심.
  27. ^ 쇤베르크 1978, 390
  28. ^ 타루스킨 2009, 237
  29. ^ 맥밀런 2008, 153
  30. ^ 로젠 1998, 556
  31. ^ DeVoto 2004, 193.
  32. ^ a b 선체 1915, 57
  33. ^ 림스키코르사코프 1886년 25~26년
  34. ^ 1997년도, 218.
  35. ^ 1997년도, 233~234, 245.
  36. ^ 솔즈만 1974, 32세
  37. ^ 프리슈 1997, 103-104
  38. ^ 쇤베르크 1978, 393
  39. ^ 1997년도 197-201.
  40. ^ Salzer and Schachter 1989, 215, 217–218.
  41. ^ 콜 2004, 131~132.
  42. ^ 주르 1982년 517-518년
  43. ^ Moreira 2014, 53.
  44. ^ Tarasti 2009, 231-232.
  45. ^ Perone 2006, 40.

원천

  • Aldrich, Richard, and Michael Meckna. 2001. "Fairchild, Blair". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Andrews, H. K. 2001. "Whole-Tone Scale". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
  • Antokoletz, Elliott. 1984. The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music. Berkeley and Los Angeles: University of California Press. ISBN 9780520067479.
  • Antokoletz, Elliott. 2004. Musical Symbolism in the Operas of Debussy and Bartók: Trauma, Gender, and the Unfolding of the Unconscious. Oxford and New York: Oxford University Press. ISBN 9780195103830.
  • Bartók, Béla. 1935. "Analysis for the Fifth String Quartet". In Béla Bartók Essays.[full citation needed] Cited in Michael John Malone. Symbols of Transformation.[full citation needed], 2008: p. 83. ISBN 9780549783367.
  • Cooper, David. 1996. Bartók, Concerto for Orchestra. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. ISBN 9780521485050.
  • Davies, Peter Maxwell. 1985. Symphony No. 3. (score) London: Boosey & Hawkes.
  • DeVoto, Mark. 2004. Debussy and the Veil of Tonality.[full citation needed] ISBN 9781576470909.
  • Frisch, Walter. 1997. Early Works of Arnold Schoenberg, 1893–1908. Berkeley and Los Angeles: University of California Press. ISBN 9780520212183.
  • Gorrell, Lorraine. 2002. Discordant Melody.[full citation needed] ISBN 9780313323669.
  • Hull, Arthur Eaglefield. 1915. Modern Harmony: Its Explanation and Application. London: Augener
  • Karan, Tim. 2011. "Track by Track: The Human Abstract", AltPress.com (3 May).
  • Kohl, Jerome. 2004. "Der Aspekt der Harmonik in Licht." In Internationales Stockhausen-Symposion 2000: LICHT. Musikwissenschaftliches Institut der Universität zu Köln, 19. bis 22. Oktober 2000. Tagungsbericht, edited by Imke Misch and Christoph von Blumröder, 116–132. Münster, Berlin, London: LIT-Verlag. ISBN 3-8258-7944-5.
  • Leikin, Anatole. 2015. The Mystery of Chopin's Préludes. London and New York: Rutledge. ISBN 9781317023418.
  • Macan, Edward. 1997. Rocking the Classics.[full citation needed] ISBN 9780195098884.
  • McMillan, Jeffery S. 2008. DelightfuLee: The Life and Music of Lee Morgan. Ann Arbor: University of Michigan Press. ISBN 0-472-03281-X.
  • Moreira, Gabriel Ferrão. 2014. "A construção da sonoridade modernista de Heitor Villa-Lobos por meio de processos harmônicos: um estudo sobre os Choros". PhD diss. São Paulo: Universidade do Estado de São Paulo.
  • Perone, James E. 2006. The Sound of Stevie Wonder: His Words and Music. The Praeger Singer-Songwriter Collection. Westport, Connecticut: Praeger. ISBN 9780275987237.
  • Pople, Antony. 1991. Berg: Violin Concerto. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. ISBN 0-521-39976-9.
  • Rimsky-Korsakov, Nikolai. 1886. Piano Concerto, Op. 30 (reduction for two pianos): Scores at the International Music Score Library Project. Leipzig: M. P. Belaieff.
  • Rosen, Charles. 1998. The Romantic Generation. The Charles Eliot Norton Lectures. Cambridge: Harvard University Press. ISBN 0674779347.
  • Salzer, Felix, and Carl Schachter. 1989. Counterpoint in Composition, reprinted with a new preface. New York: Columbia University Press Morningside Edition. ISBN 0-231-07038-1 (cloth); ISBN 0-231-07039-X (pbk).
  • Salzman, Eric. 1974. Twentieth-Century Music: An Introduction, second edition. Prentice-Hall History of Music Series, edited by H. Wiley Hitchcock. Engelwood Cliffs, New Jersey: Prentice-Hall. ISBN 0-13-935007-1.
  • Schoenberg, Arnold. 1978. Theory of Harmony, translated by Roy E. Carter. Berkeley and Los Angeles: University of California Press. ISBN 0-520-04945-4 (cloth); ISBN 0-520-04944-6 (pbk).
  • Sigman, Mitchell. 2011. Steal This Sound.[full citation needed] ISBN 9781423492818.
  • Stuckenschmidt, Hans Heinz. 1970. Ferruccio Busoni: Chronicle of a European. London: Calder & Boyars. ISBN 9780714502342 ISBN 9780714502359.
  • Tarasti, Eero. 2009. "Villa-Lobos's String Quartets". In Intimate Voices: The Twentieth-Century String Quartet, vol. 1: Debussy to Villa-Lobos, edited by Evan Jones, 223–255. Eastman Studies in Music 70. Rochester, New York: University of Rochester Press. ISBN 978-1-58046-322-5.
  • Taruskin, Richard. 2009. Music in the Early Twentieth Century.[full citation needed] ISBN 9780195386301.
  • Todd, R. Larry. 1981. "Liszt, Fantasy and Fugue for Organ on 'Ad nos, ad salutarem undam' ". 19th-Century Music 4, no. 3 (Spring): 250–261.
  • Woodside, Mary S. 1990. "Leitmotiv in Russia: Glinka's Use of the Whole-Tone Scale". 19th-Century Music 14, no. 1 (Summer): 67–74.
  • Zur, Menachem 1982. "Tonal Ambiguities as a Constructive Force in the Language of Stravinsky". The Musical Quarterly 68, No. 4 (October): 516–526.