킴 마스터스

Kim Masters

킴 마스터스는 연예 저널리스트다. 그녀는 할리우드 리포터의 편집인이다[1].[2] 그녀는 또한 KCRW의 주간 라디오 쇼 "The Business"[3][4]의 진행자다.

초년기

Masters는 Bryn Mawr College의 졸업생이다.[5]

경력

마스터스는 언론 기자로 시작한 것이 아니라 워싱턴 D.C. 지역의 [6]신문인 Education Daily에서 저널리즘 경력을 시작했다.[7] 마스터스는 NPR의 [8][9][10]특파원이자 배니티 페어,[5] 타임,[11] 에스콰이어의 기고 편집자인 워싱턴 포스트의 스태프 기자였다[5].[12][13]

1991년에 마스터스는 프리미어 잡지를 떠났다.[14]

Masters는 후에 National Public Radio의 연예 특파원이 되었다.[14]

Masters는 Slate 잡지의 블로그인 Hollywoodland를 썼다.[14]

1993년, 마스터스는 배니티 페어의 첫 번째 과제로 로레나 밥빗과의 첫 인터뷰를 얻었다.[15]

2000년에 마스터스는 타임지를 그만두고 스티브 브릴의 인사이드 잡지에서 일했다(2000년-2001년).[16][17]

2017년 아마존 스튜디오의 로이 프라이스 헤드에 대한 마스터스 기사는 할리우드 리포터, 뉴욕 타임즈, 버즈피드 뉴스 등에 의해 거절당한 뒤 더 인포메이션에[18][19][20][21] 의해 출판되었다.

그녀는 피바디 배심원으로[22] 임명되었다.

책들

마스터스는 The Keys to the Kingdom: 마이클 아이즈너의 부상과 다른 모든 사람들의 몰락.[23][24] 엔터테인먼트 위클리지는 이 책을 "지루하고 450페이지에 달하는 타케타 다운"이라고 평가하면서도 "뉴욕-로스앤젤레스 미디어 축을 벗어난 누구에게도 야구 내면이 너무 많다"고 썼다."[25]

마스터스와 낸시 그리핀의 공동저자인 뺑소니: 존 피터스와 피터 구버가 어떻게 소니를 헐리우드에서 놀이기구로 데려갔는지. 퍼블리셔스 위클리지는 이 책을 "독자들이 헐리우드의 외설적인 방종에 헐떡이게 할 충격적인 읽을거리"라고 평가했다."[26][27]

참조

  1. ^ "Hollywood Reporter hires Kim Masters". Company Town: The business behind the show. LA Times Blogs. 1 June 2010.
  2. ^ Giuliani-Hoffman, Francesca (October 20, 2017). "'I heard you rape women': How journalist Kim Masters stood up to 'bully' Harvey Weinstein". CNNMoney.
  3. ^ "The Business Entertainment Industry News & Discussion". 29 June 2006.
  4. ^ "The Business".
  5. ^ Jump up to: a b c "Ask the Tough Questions". Bryn Mawr Alumnae Bulletin. Retrieved 16 September 2021. Kim Masters '76 shares her thoughts about journalism
  6. ^ "Ed Daily Splash Page".
  7. ^ http://lapressclub.org/wp-content/uploads/2017/01/2013-NAEJ.pdf
  8. ^ Masters, Kim (19 June 1988). "'Roger Rabbit'- Disney's Bold Gamble In Animation". Washington Post. Retrieved 16 September 2021. Reprinted from Premiere Magazine
  9. ^ Masters, Kim (7 April 1996). "LAW AND DISORDER". Washington Post. Retrieved 16 September 2021. When I tell people that my job, these last few years, has been split between covering politics in Washington and show business in Hollywood, they assume a knowing look and say, "They're the same, aren't they?" Hardly.
  10. ^ Masters, Kim (6 October 1990). "Art Gallery Not Guilty of Obscenity". Washington Post. Retrieved 16 September 2021.
  11. ^ Finke, Nikki (24 April 2003). "King of Hollywood". LA Weekly. Retrieved 16 September 2021. For example, former Time top editor Walter Isaacson once complained that, immediately after hiring Kim Masters just because of her take-no-prisoners style, she had the gumption to phone him at home and rant about her company computer not working. Masters tells the Weekly: “I do remember making a fuss about it, but I don’t remember that. [Vanity Fair’s] Graydon Carter once said to me I was one of the lowest-maintenance reporters on his masthead.”
  12. ^ "Kim Masters".
  13. ^ Masters, Kim (October 13, 2017). "Fighting 'the Gawker effect' in the wake of Weinstein". Columbia Journalism Review. Retrieved 16 September 2021.
  14. ^ Jump up to: a b c Thompson, Anne (5 April 2007). "That's a wrap for movie magazines". Variety. Retrieved 16 September 2021. In the 16 years since she left Premiere, muckraker Kim Masters signed deluxe contracts at Time, Vanity Fair and Esquire. But those magazines eventually lost their appetite for her barbed take on the inner workings of Hollywood. Keeping star handlers happy and chasing ad dollars were more important to Vanity Fair editor Graydon Carter than upsetting powerful cronies in Hollywood. Masters finally found a safe harbor as National Public Radio’s entertainment correspondent. And she has bent to current trends, too, launching a blog for Slate called Hollywoodland (a rubrick once used at Premiere).
  15. ^ Kashino, Marisa M. (27 June 2018). "Remember Lorena Bobbitt? The Definitive History of the Manassas Woman Who...?? 25 Years Later: A tabloid saga prompted a national conversation that still resonates". Washingtonian (magazine). Retrieved 16 September 2021. Carlos Sanchez, then a reporter for the Washington Post: “When there’s an allegation of a sex crime, it’s the practice of most papers that you don’t name the victim. We learned almost immediately that both John and Lorena had hired publicists. When the editors heard that, they said, ‘Okay, we’re free to use her name.’ I know that we really angered her [first] attorney. His vow at that moment was that the Post would never again get an interview. That’s how Kim Masters ended up scooping her own paper.” Kim Masters, journalist: “I was at the Washington Post, but I had just made a deal with Vanity Fair to do three stories a year. The theory was there wouldn’t be a lot of conflict. But I did not anticipate that the first thing Vanity Fair would ask me to do was Lorena Bobbitt. “I think the Post was very squeamish about the subject matter, the nature of the crime. I went to my editor at the time. I said, ‘Vanity Fair wants me to go for this Lorena Bobbitt story,’ and he said, ‘Okay.’ ”
  16. ^ Kelly, Keith J. (3 April 2001). "Brill's Bloodbath – Inside Mag to Shutter, up to 50 to be Axed". New York Post. Retrieved 16 September 2021. Hirschorn is expected to remain as editorial director of Inside.com. Yesterday, Hirschorn was en route to the Los Angeles office, where he was expected to cut Chris Petrikin and Kim Masters.
  17. ^ Lyman, Rick (15 April 2001). "Stumbling Toward A Theater Near You". The New York Times. Retrieved 16 September 2021. A few have talked in the past, particularly in an article last October by Kim Masters on Inside.com, still the most complete and fully sourced account of the tumult. But now, as the release actually looms, people have apparently decided to lie low.
  18. ^ Masters, Kim (2017-08-17). "Amazon Investigated Studio Chief Roy Price Over Claim of Sexual Remarks". The Information. Retrieved 16 September 2021. Amazon.com investigated an allegation that the head of its TV and film studio, Roy Price, made unwanted sexual remarks to Isa Hackett, an important producer of one of its highest-profile shows, according to Ms. Hackett, other people with knowledge of the inquiry and communications viewed by The Information. Mr. Price allegedly made the remarks to Ms. Hackett, an executive producer of Amazon’s streaming video series “The Man in the High Castle,” in July 2015 after a day of promotional events for the show at Comic-Con in San Diego, the people say.
  19. ^ Fuster, Jeremy (15 October 2017). "Hollywood Reporter Editor Kim Masters Speaks Out on Struggle to Publish Roy Price Sex Harassment Story". TheWrap. Retrieved 16 September 2021.
  20. ^ Kenny, Glenn (2019-01-30). "An early, unsuccessful, attempt at #MeToo in Hollywood". Columbia Journalism Review. Retrieved 16 September 2021. Twenty years ago, when I was a senior editor at Premiere magazine, I worked with reporter John Connolly on “Flirting With Disaster,” an article about sexual abuse and harassment involving powerful executives at New Line Cinema. Its primary subjects were founder Robert Shaye and his partner Michael Lynne, who ran the company ...At the Hollywood Reporter, reporter-at-large Kim Masters, who broke the story on Amazon’s Roy Price, remains vigilant.
  21. ^ 존 코널리 "재난과 함께 휘청거리는" 프리미어 잡지
  22. ^ "Six New Members Join Peabody Board of Jurors". The Peabody Awards. 14 September 2016. Retrieved 16 September 2021. The Peabody Awards at the University of Georgia has appointed Marcy Carsey, Herman Gray, Kathy Im, Kim Masters, Mark McKinnon and John Seigenthaler to its Board of Jurors.
  23. ^ Eller, Claudia (March 17, 2000). "Author Finds Magic Wearing Off of Eisner's Kingdom". Los Angeles Times.
  24. ^ Clinton, Paul (April 3, 2000). "New Michael Eisner biography paints dark picture". www.cnn.com.
  25. ^ Daly, Steve (March 24, 2000). "The Keys to the Kingdom: How Micheal Eisner Lost His Grip". EW.com.
  26. ^ "Hit and Run". Publishers Weekly. Retrieved 9 August 2020.
  27. ^ Masters, Kim (25 July 2019). "A Final, Heartbreaking Note From My Vanity Fair Editor George Hodgman". The Hollywood Reporter. Retrieved 16 September 2021. When Nancy and I wrote a Premiere magazine article about the adventures of Jon Peters and Peter Guber at Columbia Pictures, we were thinking only of making a deadline. The piece had started out as a routine profile of two enterprising, shifty, credit-grabbing producers who were making a lot of bank with films from Batman to Rain Man. The assignment turned into something entirely different when Sony bought Columbia and reached the entirely unjustified conclusion that Guber and Peters should run the place. ...The two seemed intent only on squeezing their Japanese bosses for tens of millions and Hollywood was watching agog.